By Writer Aaron
Settle
A Matter of
Timing was one of those things I wrote for me. I took a lot of
things that I liked and jammed them together, and Timing was the end
result. A Matter of Timing is part film noir, part homage to
Christopher Nolan’s great film Following, and part modern-day
fairy tale. Yes, I said fairy tale.
To me, A Matter
of Timing is a film noir fairy tale. Morals are a bit skewed in
fairy tales, no one thinks twice about killing a villain in a fairy
tale and the morality of the hero is never in question. We don’t
know what kind of person Prince Charming was, only that he saved Snow
White, and he was, well charming. The same holds true for the Hire.
Like the aforementioned prince, he gets more of a title than a name,
and his motives are never explored. He’s after someone who did
something bad. Does anything else matter? Not in a fairy tale. Instead
of a magical forest, our story takes place in a smoky bar. But once
again, it has a detached feel, like it’s not part of our reality.
When we were filming,
a few people remarked how it was odd for certain things to be going
on and no one question it. But once again, who questions motives or
actions in a fairy tale? Look at the characters: the wayward knight,
not opposed to shedding blood;. the siren, luring men to their death;
the vicious monster who beats men to death with his bare hands. All
the elements of the fairy tale are there. And the best part is, if you
don’t want to see them, you don’t have to. It’s just
a cool little story about a hired killer and his victim. That works
too.